FINE ART PAPERS | MATT/SMOOTH
Smooth and matte papers — often referred to as “smooth/matt” — feature a soft, non-reflective surface with no gloss. This characteristic gives them a discreet and elegant appearance, making them particularly well suited for those who wish to highlight detail without the distractions caused by light reflection. They are, naturally, an excellent choice for photographic and illustration printing, as well as for luxury editions. Beyond their visual qualities, they also stand out for their dimensional stability, high opacity, and ability to reproduce colours with great clarity. All of this contributes to long-lasting prints with consistent colour reproduction — essential in high-quality artistic and graphic applications.
HM PHOTO RAG 308
| SUBSTRATE: 100% Cotton |
| FINISH: Matte |
| TEXTURE: Light / Smooth |
| TONE: Natural White (92.5 @ D65/2°) |
| ACID-FREE: Yes |
| OBA: Very low |
| DIN ISO 9706: Yes |
| WEIGHT: 308gsm |
| BRAND: Hahnemühle |
| PHOTO RAG 308 SPECS |
HM PHOTO RAG Ultra Smooth 305
| SUBSTRATE: 100% Cotton |
| FINISH: Matte |
| TEXTURE: Smooth / Velvet |
| TONE: White (94.0 @ D65/2º) |
| ACID-FREE: Yes |
| OBA: Moderate |
| DIN ISO 9706: Yes |
| WEIGHT: 305gsm |
| BRAND: Hahnemühle |
| PHOTO RAG ULTRA SMOOTH 305 SPECS |
MJ MUSEUM NATURAL SMOOTH 310
| SUBSTRATE: 100% Cotton |
| FINISH: Matte |
| TEXTURE: Smooth |
| TONE: Natural white (88 @ R457) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 310gsm |
| BRAND: mediaJET |
| MUSEUM NATURAL SMOOTH 310 SPECS |
PC Velvet 270
| SUBSTRATE: 25% cotton + 75% alpha-cellulose |
| FINISH: Matte |
| TEXTURE: Light |
| TONE: Natural white (93 @ D65/2º) |
| ACID-FREE: Yes |
| OBA: Very low |
| DIN ISO 9706: Yes |
| WEIGHT: 270gsm |
| BRAND: Pigmento PM |
| PC VELVET 270 SPECS |
HM Bamboo 290
| SUBSTRATE: 90% Bamboo + 10% cotton |
| FINISH: Matte |
| TEXTURE: Light |
| TONALIDADE: Natural white (83 @ D65/10º) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 290gsm |
| BRAND: Hahnemühle |
| BAMBOO 290 SPECS |
HM Hemp 290
| SUBSTRATE: 60% hemp + 40% cotton |
| FINISH: Matte |
| TEXTURE: Light |
| TONE: Natural white (89 @ D65/10º) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 290gsm |
| BRAND: Hahnemühle |
| HEMP 290 SPECS |
FINE ART PAPERS | MATT/ TEXTURED
Textured/matt papers feature a matte finish with a perceptible relief, offering a rough or granular feel due to their fibre structure or textured coating. Ideal for printmaking, engraving, watercolour, reproductions, and hand-crafted work, they enhance depth and tactile character. They provide good ink holdout, soft contrast, and a handcrafted appearance, ensuring high archival durability and strong visual expressiveness in artistic (fine art reproduction), photographic, and illustration projects.
ILFORD COTTON ART. TEXTURED 310
| SUBSTRATE: 100% cotton |
| FINISH: Matte |
| TEXTURE: Watercolor (mould-made) |
| TONE: White (N/D) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 310gsm |
| BRAND: Ilford |
| COTTON ARTIST TEXTURED 310 SPECS |
HM GERMAN ETCHING 310
| SUBSTRATE: 100% alpha-cellulose |
| FINISH: Matte |
| TEXTURE: Textured (mould-made) |
| TONE: Natural white (91,5 @ D65/2º) |
| ACID-FREE: Yes |
| OBA: Very low |
| DIN ISO 9706: Yes |
| WEIGHT: 310gsm |
| BRAND: Hahnemühle |
| GERMAN ETCHING 310 SPECS |
HM WILLIAM TURNER 310
| SUBSTRATE: 100% cotton |
| FINISH: Matte |
| TEXTURE: Textured (mould-made) |
| TONE: Natural white (88,5 @ D65/2º) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 310gsm |
| BRAND: Hahnemühle |
| WILLIAM TURNER 310 SPECS |
FINE ART PAPERS | BARYTA
Baryta papers are coated with barium sulphate (baryta) on a cellulose or cotton base and were originally used in traditional photography to achieve high gloss, a wide tonal range, and deep blacks. Today, microporous inkjet versions are also available, preserving the classic baryta look while ensuring fast drying, durability, and colour fidelity in Fine Art prints with archival longevity.
HM Photo Rag Baryta 315
| SUBSTRATE: 25% cotton + 75% alpha-cellulose |
| FINISH: Glossy |
| TEXTURE: very smooth |
| TONE: Natural white (91 @ D65/2º) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 315gsm |
| BRAND: Hahnemühle |
| PHOTO RAG BARYTA 315 SPECS |
HM FineArt Baryta Satin 300
| SUBSTRATE: 100% alpha-cellulose |
| FINISH: semi-glossy (satin) |
| TEXTURE: very smooth |
| TONE: Natural white (92 @ D65/2º) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 300gsm |
| BRAND: Hahnemühle |
| FINEART BARYTA SATIN 300 SPECS |
MJ PhotoArt White Baryta 310
| SUBSTRATE: 100% alpha-cellulose |
| FINISH: Glossy |
| TEXTURE: very smooth |
| TONE: White (100 @ D65/10º) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 310gsm |
| BRAND: MediaJET |
| PHOTOART WHITE BARYTA 310 SPECS |
POSTER PAPER
These papers are designed for those seeking a simple aesthetic, with excellent legibility, good colour reproduction, and stable behaviour in production—especially when printing posters and low-price open editions. Results are consistent and “surprise-free”. They are typically matte papers with a smooth surface and a more editorial feel than cotton fine art papers. This gives them a distinct presence: less “museum-grade luxury” and more poster-oriented, with particular emphasis on production cost efficiency.
MJ Litho White Matt 230
| SUBSTRATE: 100% alpha-cellulose |
| FINISH: Matte |
| TEXTURE: Smooth / Velvet |
| TONE: Very white (>140 @ D65/10º) |
| ACID-FREE: Yes |
| OBA: Yes |
| DIN ISO 9706: Yes |
| WEIGHT: 230gsm |
| BRAND: MediaJET |
| LITHO WHITE MATT 230 SPECS |
MJ Litho Archiv Matt 230
| SUBSTRATE: 100% alpha-cellulose |
| FINISH: Matte |
| TEXTURE: Smooth / Velvet |
| TONE: Warm white (>106 @ D65/10º) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 230gsm |
| BRAND: MediaJET |
| LITHO ARCHIV MATT 230 SPECS |
FINE ART PAPERS | AWAGAMI / WASHI
Washi papers are traditional Japanese substrates, handmade from natural fibres such as kozo, mitsumata, or gampi. They are characterised by high strength, durability, and slight translucency. The artisanal process involves aqueous fibre dispersion, manual sheet formation, and drying without harsh chemical additives. Washi paper is widely used in illustration, photography, printmaking, and fine art, combining robustness with a unique aesthetic.
Kozo Thick White 110
| SUBSTRATE: Kozo fibres |
| FINISH: Matte / Washi |
| TEXTURE: Textured |
| TONE: Branco Natural (77 OBI) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 110g/m2 |
| BRAND: Awagami |
| KOZO THICK WHITE 110 SPECS |
Inbe Thin White 70
| SUBSTRATE: Kozo fibres + hemp fibres |
| FINISH: Matte / Washi |
| TEXTURE: Textured |
| TONE: Very white (74 OBL) |
| ACID-FREE: Yes |
| OBA: Yes |
| DIN ISO 9706: Yes |
| WEIGHT: 70g/m2 |
| BRAND: Awagami |
| INBE THIN WHITE 70 SPECS |
Murakumo Kozo Select White 42
| SUBSTRATE: 90% Kozo + 10% alpha-cellulose |
| FINISH: Matte / Washi |
| TEXTURE: Texturado (cru, orgânico) |
| TONE: Branco Natural (73 OBL) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 42gsm |
| BRAND: Awagami |
| MURAKUMO KOZO SELECT WHITE 42 SPECS |
Murakumo Kozo Select Natural 42
| SUBSTRATE: 90% Kozo + 10% alpha-cellulose |
| FINISH: Matte / Washi |
| TEXTURE: Textured |
| TONE: Warm white (43 OBL) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 42gsm |
| BRAND: Awagami |
| MURAKUMO KOZO SELECT NATURAL 42 SPECS |
Bamboo 170
| SUBSTRATE: Bamboo fibres |
| FINISH: Matte / Washi |
| TEXTURE: Textured |
| TONE: Natural white (77 OBL) |
| ACID-FREE: Yes |
| OBA: No |
| DIN ISO 9706: Yes |
| WEIGHT: 170gsm |
| BRAND: Awagami |
| BAMBOO 170 SPECS |
What our customers are saying about us…
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Serviço muito profissional, rápido e muito atencioso. As impressões são de uma qualidade irrepreensível e a embalagem é extremamente segura. Os preços são competitivos. Não podia recomendar mais!
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Adorei a qualidade da impressão e o cuidado com que foi embalada. Da encomenda à receção passaram poucos dias. Também gostei muito das recomendações e da rapidez com que responderam às minhas dúvidas. Já escolhi outra peça para imprimir. … More Excelente!
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Desde o atendimento, à impressão e ao cuidado no envio, nada fica ao acaso. Recomendadíssimo!
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Serviço profissional e diversificado, excelente oferta e preços, excelente e honesta comunicação com clientes, serviço eficiente e entrega 5*. A gama da papéis disponível é uma das grandes valências da Pigmento Coolectivo, bem como a simpatia. … More
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As fotografias apenas existem quando passadas para papel. E para quem o procura fazer com qualidade, não existe melhor serviço do que o prestado pela Pigmento Coolectivo. Sei que do lado de lá está alguém que sabe exactamente o que eu quero, … More e fará de tudo para atingir a perfeição nos resultados entregues.
- Uma boa diversidade de papeis.
- Qualidade de impressão.
- Um atendimento simpático e personalizado.
- Aconselhamento e apoio técnico.
- Profissionalismo.
- Rapidez na impressão e envio.
- Um cuidado extremo na embalagem das impressões para envio, que chegam cá sempre intactas.
Em conclusão, um serviço que recomendo vivamente, e a única à qual eu confio a impressão do meu arquivo fotográfico. -
Excelente Serviço. Os giclèes (de óptima qualidade) estavam previstos chegar em dois dias, mas no dia seguinte à encomenda já estavam na minha morada. As respostas por mail foram muito rápidas e elucidativas.
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São excelentes profissionais que realmente querem ajudar. São rigorosos com os trabalhos e estão sempre lá para qualquer dúvida. Recomendo e voltaria a recomendar os serviços da Pigmento Coolectivo.
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Um dos melhores serviços de impressões artistícas com quem já trabalhei. Além um de trabalho primoroso, uma ótima gama de papéis especiais, são atento aos detalhes, com um tempo de resposta e envio muito bons e estão sempre dispostos a … More ajudar.
Indico e recomendo o trabalho da Pigmento Coolectivo e especial ao Rui sempre muito atencioso e gentil.
